Aurgasm

americana // bluegrass

When music reminds me of home, it stirs up childhood joys and fantastic daydreams of life yet lived. Vocal tones threading struggle with hope, telling lyrics backed by bluegrass or folk-rock, with mandolin and banjo especially hitting that note. Gavin Glass does this, as does Sarah Jarosz. On her debut, Song Up In Her Head, she captures escaping wonder with inner intimacy that’s incredible to realize is the work of a 17 year-old. Among her originals is the Grammy-nominated instrumental “Mansinneedof” and brilliant covers of Tom Waits and The Decemberists. Parts of a lifelong journey having a steady pulse of assurance on the road ahead.

Mandolin wind on the road that’s going home.
Sarah Jarosz – Tell Me True
Sarah Jarosz – Long Journey
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Songwriter // Jazz // Soul

Subtle layering of emotional songs with attitude both playful and deep make Stacey Dowdeswell an artist to keep an ear on. Her debut album Turn That Light Out oozes soulful and mostly contemplative songs, co-written & produced by label mate Scrimshire, benefited with added depth and clarity from Benedic ‘Nostalgia 77‘ Lambdin’s engineering. Electronic heads should check the pair of remix albums where Stac’s songs are reimagined by beatsmiths like Bonobo, Ashley Beedle and Natural Self. Bass driven “All Or Nothing” is a full-bodied red wine, and “Tip” is a mature, intelligent track, while Hint’s counterpart takes all that maturity into the club and shakes it like there ain’t no tomorrow.

Blue eyed soulstress from LDN.
Tip
Tip (Hint Remix)
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spirit-songwriter

A true friend sitting next to my soul.  Talking with me.   Laying in a green field on a hill.   Wildflowers dance the breeze.   Sun shines…  bright blue sky…  curious clouds mozy by.   Trees and forests are not too far away.  Hills and valley, mostly.   Talking about anything.   Stars, dreams –  what we enjoy or  what others destroy.   Comforts found together.

Survival of the dearest.
Mariee Sioux – Bundles
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indie folk // singer songwriter

The Sweet Hurt, Wendy Wang’s solo project, has been around in various forms since 2003 — since then she’s released a handful of EPs, plays for what seems like a thousand different bands (including The Bird and the Bee, Priscilla Ahn and Obi Best), and last year, released her first full-length album, The Sweet Hurt LP. The album was well worth the wait; it’s winsome and strikingly honest, and highlights Wendy’s talents as a songwriter and instrumentalist. Like the name suggests, there is a quiet loveliness that pervades the entire album, highlighted by the elegant chamber pop arrangements. Take a listen to the stunning “Things Fall Apart” and the impossibly catchy “Hugs” below!

Heartbreaking and heartfelt.
The Sweet Hurt – “Things Fall Apart”
The Sweet Hurt – “Hugs”
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indie-pop // singer-songwriter

Over the last few years numerous indie artists went vintage with their music. Katie Costello’s quirky retro melodies share the current trend and similarities with Rosi Golan, Lucy Schwartz, Laura Jansen and Regina Spektor and yet evolve into her own original and captivating sound. Set to release in early 2011, Katie’s album Lamplight is a collection of contagiously melodic, clever and soulful piano driven pop songs that will capture the hearts (and ears) of many. “Ashes Ashes” offers a sweet taste of the upcoming album, while the lyrical “How Do We Know” is taken from Katie’s latest EP.

Sweetest melodies.
Katie Costello – Ashes Ashes
Katie Costello – How Do We Know
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avant-pop // glam folk-pop

By the end of 2010, it’s safe to say that British female-fronted pop projects strongly dominated the year’s musical landscape. Florence Welch’s charming extravagance, Natasha Khan’s (Bat for Lashes) dark-ish melodies and Marina Diamandis’ sparkling pop debut received critical acclaim on both sides of the pond. Fallulah, a.k.a. Copenhagen-based Maria Apetri, certainly reflects the current musical tendencies. While her debut album The Black Cat Neighbourhood (2010) offers quirky melodies and somewhat dark, richly layered soundscapes comparable to the British diva invasion, she adds a rather unique touch of Balkan folk to her sound. The Black Cat Neighbourhood displays Fallulah’s strong songwriting skills, rich instrumentation that includes everything from folky strings, ukulele and glockenspiel to irresistible whistling and hand-claps along her expressive, distinct vocals.

Quirky and glamorous pop gems.
Fallulah – Only Human
Fallulah – Use It For Good
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indie folk // singer songwriter

Javier Dunn may be an unfamiliar name to most, but the singer-songwriter has years of experience under his belt. The Los Angeles-based songwriter has been playing guitar since he was 10, put out his first full-length album in 2006, and has been playing guitar with Sara Bareilles since their days at UCLA. Despite spending an incredible amount of time on the road as part of Sara’s band, he’s managed to release another EP, Vessel, earlier this year. The new EP features “If You Go,” an folk-pop gem that is as refreshingly catchy as it is sincere. His stripped down cover of Miike Snow’s “Animal” isn’t on the EP, but remains a particular favorite of mine. Javier’s take on the electropop hit highlights the plaintive lyrics without sacrificing a groove that keeps the track moving. Like, “If You Go,” Dunn’s version of “Animal” is vulnerable, heartfelt and unerringly catchy. Take a listen to both tracks below and see for yourself!

Gorgeous melodies and aching lyrics.
Javier Dunn – “If You Go”
Javier Dunn – “Animal” (Miike Snow cover)
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acoustic // folk // singer-songwriter

You might have heard Katie Herzig’s lovely vocals by now on Grey’s Anatomy, NPR or KCRW’s Morning Becomes Eclectic. Katie embodies the qualities of a true Aurgasm darling: appealing voice, captivating songwriting skills and a Southern charm. While the work of the Nashville-based songstress carry country influences, her repertoire is much richer than that. “I Want To Belong To You”, Apple Tree (2008), displays Katie’s melancholic yet playful, intimate and emotive songwriting. “Two Hearts Are Better Than One”, from her Live in Studio: Acoustic Trio (2009) release, delivers charming whistling, rhythmic verses and Katie’s sweet vocals.

Whimsical Southern folk melodies.
Katie Herzig – I Want To Belong To You
Katie Herzig – Two Hearts Are Better Than One
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singer-songwriter remixed

The incredible mastery of Pink Ganter’s production is inescapable. The track opens with an analog hum introducing a steady beat, waves of female vocals hit you like deliberate but soft sun rays. The rhythm guitar soon goes underwater to let William’s soft voice tell the story. Take this song into the sunshine with you. (thank you, Chrissy)

Matching production precision to lyrical aplomb.
William Fitzsimmons – So This Is Goodbye (Pink Ganter Remix)
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bohemian retro ballad // singer-songwriter

Belfast artist Duke Special, a.k.a. Peter Wilson, is a de-facto Vaudeville revivalist. Duke’s songwriting is highly theatrical and colourful, somewhat recalling the aching beauty of such artists as Rufus Wainwright and Antony Hegarty as well as the Dresden Dolls’ cabaret extravaganza. In “Our Love Goes Deeper Than This” Duke merges a variety of inspirations such as melodramatic Vaudeville, big band and Bebop with rich and bouncy piano, clarinet, trumpet, drums and quirky sound effects. “Wanda, darling of the Jockey Club”, taken from his latest release The Stage, The Book And The Silver Screen (2010), parades the jaunty and retro swinging side of Duke’s song crafting.

Bittersweet Vaudeville melodies.
Duke Special – Our Love Goes Deeper Than This
Duke Special – Wanda, Darling Of The Jockey Club
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