Aurgasm

americana // soul

When handed Gavin Glass‘s Holy Shakers album and told it’s more rock than what he’s playing with Lisa Hannigan‘s ensemble, never did I expect to be astonished and excited by genuine Southern rock sounds. Born and bred in Ireland, Gavin left school at eighteen to pursue various paths of music; eventually being impassioned by a documentary about Canada’s The Band. From there, his sound took on a timeless nostalgia of folk, country, blues and rock, with sparse moments of gospel and jazz. He sings like the heart of a soul that rarely gets to speak; a longing for years of wonder to embrace the hopes and dreams of childhood through ragged stages of growing up, discovering, and becoming whoever you are.

Earnest Southern rock from Dublin.
Gavin Glass – The Juxebox Rag
Gavin Glass – Ragdoll (with Cathy Davey)
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chanson française // folk pop

French chanson tradition, Chinese folk motifs, Continental jazz and Latin notes are interwoven together into a colourful collection of songs on Jessica Fichot’s debut album. The versatility of her debut Le Chemin (2007) mirrors her multicultural and multilingual background. Often accompanied by piano and accordion, recalling the rhythms of waltz, polka and cabaret music, Jessica’s elegant songwriting evokes the images of 19th century Parisian coffeehouses and dance halls. “1,2,3” is a fine example of her inventive songwriting, clear vocals and a distinctly French instrumentation.

Delightful arrangements from the heart of Paris.
Jessica Fichot – 1,2,3
Jessica Fichot – Le Grenier
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I’m heading with Aurgasm friend, Adam, to Europe for three weeks in July.

Right after we land, we’re hitting up the Dour Festival in Belgium.

Totally psyched about this. We plan to bring you the same sort of broad coverage that we did for SXSW. Go check their lineup and yell at us if there’s anyone there we need to see.

We got our train passes

After the festival, we’re planning on meeting up with my brother in Stuttgart and taking the train around quite a bit. Right now we’re planning on hitting Amsterdam, Stuttgart, Prague, Olomouc, Krakow and Budapest. And then maybe Zagreb or Rijeka, Croatia, or Cluj, Romania, or somewhere else?

If anyone has suggestions for what to do or see, or any nearby cities, please leave a comment. (I might email you back) If you live in one of these spots, I’d love your perspective and we should definitely meet up for a drink!

Can I get some music, please?

Why, certainly :) Dub FX, is a beatbox artist who street performs all over Europe. Watching him construct one of his multilayered compositions is impressive—he throws some pitch-shifted bass underneath ethereal treble highlights and solid hip-hop vocals:

folk // singer-songwriter

Some of you might have seen Allie Moss performing with the lovely Ingrid Michaelson. Her debut EP Passerby (2009) reveals Allie to be a strong and promising singer-songwriter on her own. The extremely captivating “Corner” displays Allie’s songwriting skills as well as her sweet vocals and clever phrasing, setting the tone for the rest of her EP. From bittersweet to soft and melancholic, Passerby is a solid and well-crafted collection of folk-pop songs.

Gorgeous melody carried by pitter-patter production.
Allie Moss – Corner
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ambient // electronic // guitar

Wilco fans (you know who you are) will recognize Nels Cline as that band’s lead guitarist, but he’s been doing other stuff on his own (collaborating, featuring, musicating, etc.) for a little over thirty years, now “” and yet, still, his solo stuff seems to remain under-appreciated. Perhaps some of it is too experimental for a big following (and I don’t mean that as any kind of affront to Wilco fans), like the opening track from Coward, his latest album; it’s called Epiphyllum, and is basically a wall of foamy, pulsating sound. The rest of the album, though, gets a little more melodic, borrowing heavily from Middle-Eastern sounds and even The Twilight Zone at one point, and rounding out nicely with Cymbidium, yet another wall of sound “” but one with cracks in it, chinks of guitar and scars of bass. There are shades of Susumu Yokota and maybe Faithless, too, and overall of quiet, confident comfort. Close your eyes and let it grow.

Soothing, glowing noise
Nels Cline – Cymbidium
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acoustic // shake-a-billy

Because a ladybug played kazoo.
Rachel Goodrich – Dope Song
Rachel Goodrich – Light Bulb
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electro-funk // grimey synthpop

Maneuvering brainwaves routed by intricately synthesized polymers of Moloko and Phon°noir familiarity, Frances Noon and Lazlo Legezar have materialized an undulating ecstasy that voyages vital force and bites at your feet. His surreal chorus of extravagant noises deploys a fulgent realm for her iridescent vocals; fluently shifting between sinister and saccharine to timid and giddy. As their motley, crystalline wisped sounds are consumed, a subterranean purlieu emerges. In a carnival’s bygone mystique of bright lights and smiles since ceded to a Hitchcock bale are mad hatters absconding to unite with strawberry shortcakes; rampantly dissolving the absurd, unwanted, depreciating rationalities that impersonate rainbows and he-man transgressions of societal laste. Where We Are threshes trip-hop’s quintessence into dizzying bits and pieces then coalesces to form a twisted treat of enigmatic, aural candy.

Trip-Hop in the age of Twitter.
My Toys Like Me – Superpowers
My Toys Like Me – Bats
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folk // acoustic blues // world

Soul, folk, jazz and creole influences shine throughout Camphor & Copper (2008) — the first full-length of self-taught guitarist and singer-songwriter Mélissa Laveaux. On her debut album Mélissa displays impressive musical range and clever lyrics. Mélissa’s folk-blues arrangements, catchy hand claps, whispery vocals and her unique percussive finger-style guitar will be appealing to the fans of Ayo and Aurgasm featured Asa. Of special quality is Mélissa’s sharp and powerful cover of Elliott Smith’s “Needle in the Hay”.

From world music rhythms to brutally honest blues.
Melissa Laveaux – Needle In The Hay
Melissa Laveaux – Koud’lo
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afrofunk // jazz

The opening to “Too Many Prisoners (Elewon Po)” sounds like it could be taken right off an Isaac Hayes record (one extremely well-known one in particular…), which is funny because Hayes is one of the few people not commonly listed as an Allen influence (viz. Art Blakey, Dizzy Gillespie, James Brown, Fela Kuti, etc.). After that, though, the Shaft theme is quickly dropped for something more like Pucho Brown: a breezy, carefree collection of bass, vocals, and the drumming for which Allen is most renowned. The single was released May 11 and is available on iTunes; the album (Secret Agent) comes out June 8. (We also covered some of Tony’s other work way back in August 2007.)

Bright and flavorful
Tony Allen ““ Too Many Prisoners (Elewon Po)
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country-folk // singer-songwriter

Venturing from home in Nashville, Audie‘s sound grew dear as she followed charms winding their way through mountain trails and Parisian boulevards before encountering musical kin in Portland. With helpful newfound friends, a tickle of entrancing hymnals was then culled from her memory; forming a delicate, haunting echo in your heart that asks where you’ve been. Were you calling out quietly in the night for a friend? Or swinging in tire swings on dwindling summer days… an occasional ring to your ear of someone you knew and should maybe say hello to. Do clairvoyant clarinets introduce another scene? Stringing you along as hammers unlock dissonance and banjitars herald kind nudges anent upright bass. Jeering ghosts fleshed out with hindsight; twilight’s mist dispersed upon reason; her songs usher in an elusive, captivating treasure to collect and hold tender forever.

An audio darling.
Audie Darling – Warn Out Shoe
Audie Darling – Little Bird
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