The history of this song is pretty storied, but I’m already plenty distracted by the production of this take on “You’ve Got The Love” by The XX. We open with arpeggiated harp lines. A basic two-step beat trots out, chased by the two-step signature sub-bass, descending in hertz. The XX give us tag-team male & female vocals, matching in harmony just when… a float of mallets tickling vibraphones come flirting past your ears. The bass and vocals meet up with the percussion, stimulating an aural foreplay. I’ll let you take it from here.
There’s a surprising gap between MTV mainstream hip-hop and the uber-coolness of what’s actually happening to the music nowadays. Unknown to the mainstream audiences, French-born Chilean MC Ana Tijoux may very well be that elusive next best thing in hip-hop music. Ana’s album 1977 pays tribute to the old-school hip-hop, mixing organic vinyl scratches, urban grooves, jazzy horn samples and Latin sounds. Ana’s voice is velvety and smoky, some times whispery, yet always seamlessly flowing with the the beats. One song standing out is the largely autobiographical title track “1977” with its strong melody, Mexican trumpets, dynamic rhythms and truly excellent production.
Over the last few years numerous indie artists went vintage with their music. Katie Costello’s quirky retro melodies share the current trend and similarities with Rosi Golan, Lucy Schwartz, Laura Jansen and Regina Spektor and yet evolve into her own original and captivating sound. Set to release in early 2011, Katie’s album Lamplight is a collection of contagiously melodic, clever and soulful piano driven pop songs that will capture the hearts (and ears) of many. “Ashes Ashes” offers a sweet taste of the upcoming album, while the lyrical “How Do We Know” is taken from Katie’s latest EP.
Jonathan Radford a.k.a. Diesler creates vibes that make you want to move. The sounds are warm and full of rhythm, hence the title of his previous album The Rhythm Station (on Freestyle Records). The warmness of Diesler’s sound is reflected by a clear influence of latin music, with some beats and twists added for good measure, all keeping a positive and fresh style, to which another album title is testament: Keepie Uppies (on Tru Throughts). He is also one of the masterminds behind retro-funk outfit Laura Vane & the Vipertones. There is certainly a lot of music out there by this producer, but let us first point our attention to this summer’s Tie Breakers, released on Social Beats / Unique Records. Check it out for yourself with album track “Deepest Cuba” and the reggae remix dub of “Samba Magic”, reworked by Grant Phabao.
By the end of 2010, it’s safe to say that British female-fronted pop projects strongly dominated the year’s musical landscape. Florence Welch’s charming extravagance, Natasha Khan’s (Bat for Lashes) dark-ish melodies and Marina Diamandis’ sparkling pop debut received critical acclaim on both sides of the pond. Fallulah, a.k.a. Copenhagen-based Maria Apetri, certainly reflects the current musical tendencies. While her debut album The Black Cat Neighbourhood (2010) offers quirky melodies and somewhat dark, richly layered soundscapes comparable to the British diva invasion, she adds a rather unique touch of Balkan folk to her sound. The Black Cat Neighbourhood displays Fallulah’s strong songwriting skills, rich instrumentation that includes everything from folky strings, ukulele and glockenspiel to irresistible whistling and hand-claps along her expressive, distinct vocals.
Javier Dunn may be an unfamiliar name to most, but the singer-songwriter has years of experience under his belt. The Los Angeles-based songwriter has been playing guitar since he was 10, put out his first full-length album in 2006, and has been playing guitar with Sara Bareilles since their days at UCLA. Despite spending an incredible amount of time on the road as part of Sara’s band, he’s managed to release another EP, Vessel, earlier this year. The new EP features “If You Go,” an folk-pop gem that is as refreshingly catchy as it is sincere. His stripped down cover of Miike Snow’s “Animal” isn’t on the EP, but remains a particular favorite of mine. Javier’s take on the electropop hit highlights the plaintive lyrics without sacrificing a groove that keeps the track moving. Like, “If You Go,” Dunn’s version of “Animal” is vulnerable, heartfelt and unerringly catchy. Take a listen to both tracks below and see for yourself!
A luscious and vibrant sound was my aim for this mix, titled ‘Safe Bet’ because I wanted to create an introduction to downtempo / electronic music in a way that may captivate and grow interest. To subtly build an unfamiliar atmosphere and give hints of more to explore.
Classical tendencies, strings especially, sweet beats, glitchy cinematic effects and jazzy grooves fill the air. Mixed in 2003 while DJ’ing at ErrorFM as I hoped to inspire people with new music from around the world.
French-Senegalese chanteuse Madjo first captured my attention with “Le Monstre” back in 2009 making her debut album Trapdoor (2010) among my most anticipated albums of the year. While there is very little information about Madjo available to English speakers, she’s the new chanteuse on the rise among French music lovers. Madjo’s repertoire varies from vintage pop influences to Southern folk-blues and tender ballads, somewhat recalling Feist, Yael Naim and Okou with the subtle avant-garde touch of Camille. Une chanteuse extraordinnaire!
The Haggis Horns operate as a quite successful horn section, garnering praise from a wide range of recording artists, like Mark Ronson (“The best f***ing horn section in the World!”), Amy Winehouse & The New Mastersounds. Besides recording and touring with said artists (and many more), they also function as a full band. A little while ago their second LP Keep on Movin‘ saw the light of day on First Word Records. The vocals on this album are by Nia Saw aka Lucinda Slim, who also sings on “The Cockroach Grind”. “The Bump”, from their first LP titled Hot Damn!, shows the band can hold its own in vocal and instrumental jams alike.
Aurgasm seeks to bring you an eclectic menagerie of aural pleasures. We scout out music you've never heard and deliver only the finest. Expect music curiously different, yet simply enjoyable...
Paul Irish is a music-loving web geek in San Francisco.
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That's what I want you to do: eval-u-ate: try on this music for size, see if it fits you. If you enjoy it, learn more. Explore the artist, delve into the genre.
Take an active approach in finding music you love. Only you can find what you love. Immerse yourself in it. Buy the CD. Go to the show and meet your favorite artist afterwards. Tell them their music changed you. Support the artists whose work you adore.
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A luscious and vibrant sound was my aim for this mix, titled ‘Safe Bet’ because I wanted to create an introduction to downtempo / electronic music in a way that may captivate and grow interest. To subtly build an unfamiliar atmosphere and give hints of more to explore.
