Bobby McFerrin & Yo-Yo Ma
Monday, April 16th, 2007 by Paul Irishvocal // contemporary classical
 Sadly, too many people only will recall “Don’t Worry, Be Happy” when they think Bobby McFerrin. Beyond novelties, McFerrin actually brought a lot of innovation to a capella and music, in general. The song below comes from his 1999 collaboration with cello master Yo-Yo Ma. In a simply divine arrangement, McFerrin’s voice and Ma’s cello weave lyrical lines together and apart, creating a sonic landscape that escapes categorization. I hear hints of Akira’s Dolls’ Polyphony in the tune (and since it was released only 2 years after the movie, I bet it’s more than coincidence.)
Sadly, too many people only will recall “Don’t Worry, Be Happy” when they think Bobby McFerrin. Beyond novelties, McFerrin actually brought a lot of innovation to a capella and music, in general. The song below comes from his 1999 collaboration with cello master Yo-Yo Ma. In a simply divine arrangement, McFerrin’s voice and Ma’s cello weave lyrical lines together and apart, creating a sonic landscape that escapes categorization. I hear hints of Akira’s Dolls’ Polyphony in the tune (and since it was released only 2 years after the movie, I bet it’s more than coincidence.)A master of voice and a master of string. Making sound.
Bobby McFerrin & Yo-Yo Ma – Grace
buy this cd
 If you’ve been paying attention Cibelle (see-BELL-ee) has already caught your attention, I’m a little late on this but didn’t want to not post this songstress. São Paulo raised Cibelle crafts tunes that tell stories embellished by an instrumentation that won’t disappoint; ½ her album was produced by ½ of indie folk outfit Tunng. Her approach to song construction (somewhat
If you’ve been paying attention Cibelle (see-BELL-ee) has already caught your attention, I’m a little late on this but didn’t want to not post this songstress. São Paulo raised Cibelle crafts tunes that tell stories embellished by an instrumentation that won’t disappoint; ½ her album was produced by ½ of indie folk outfit Tunng. Her approach to song construction (somewhat 
 Annika Line Trost is a charming and charismatic creature. You probably know her from the Berlin duo
Annika Line Trost is a charming and charismatic creature. You probably know her from the Berlin duo  It’s quite rare an artist is both amazingly creative, productive and has good management skills. Julie Feeney does it all: she composes, writes, sings and promotes all her songs, and it’s needless to say she is truly passionate about music. The critics immediately appraised Julie for her sparse, clean vocals. In Julie’s “Autopilot”, the xylophone sounds and the clever lyrics, frame a melody so immersing that it’s impossible not to listen to it over and over again. “You Bring Me Down” is melodic and never boring with its sweet eclecticism.
It’s quite rare an artist is both amazingly creative, productive and has good management skills. Julie Feeney does it all: she composes, writes, sings and promotes all her songs, and it’s needless to say she is truly passionate about music. The critics immediately appraised Julie for her sparse, clean vocals. In Julie’s “Autopilot”, the xylophone sounds and the clever lyrics, frame a melody so immersing that it’s impossible not to listen to it over and over again. “You Bring Me Down” is melodic and never boring with its sweet eclecticism. I hate to be a label fanboy, but Brighton-based
I hate to be a label fanboy, but Brighton-based  To record this soundtrack, Miles Davis stood in front of a screen, watched the movie, and played in the moment, improvising his own musical impressions of the drama on-screen. The music of this film, Ascenseur Pour L’Echafaud, helped define the sound of film noir–the slow-walking bass beats and muted, slithering horn lines miming the characters’ action and emotion. Perfect tunes for relaxing, studying, or just completely zoning out. [Thx Angad]
To record this soundtrack, Miles Davis stood in front of a screen, watched the movie, and played in the moment, improvising his own musical impressions of the drama on-screen. The music of this film, Ascenseur Pour L’Echafaud, helped define the sound of film noir–the slow-walking bass beats and muted, slithering horn lines miming the characters’ action and emotion. Perfect tunes for relaxing, studying, or just completely zoning out. [Thx Angad] Running in a similar vein to the cartoony electronic duo
Running in a similar vein to the cartoony electronic duo  The keytar is our first tip-off. The way its plaintive, dull-yet-sunny sound meshes with Juliette Commagere’s vocals, the electronic overlays, the rich bounce of bass, is a recipe for some very catchy pop. It’s a new-new-wave sound, shiny and nostalgic; it siphons something of Blondie and Berlin, of Latin pop and Irish ditties, and swirls the whole thing into a dance party. Hailing from Silverlake CA, Hello Stranger, formerly Vagenius, are effortlessly attuned to and enamored of LA’s decadent, chintzy, eclectic culture of Hip. Their lyrics admit as much with nonchalant honesty – that is, when they are not being all tongue-in-cheek.
The keytar is our first tip-off. The way its plaintive, dull-yet-sunny sound meshes with Juliette Commagere’s vocals, the electronic overlays, the rich bounce of bass, is a recipe for some very catchy pop. It’s a new-new-wave sound, shiny and nostalgic; it siphons something of Blondie and Berlin, of Latin pop and Irish ditties, and swirls the whole thing into a dance party. Hailing from Silverlake CA, Hello Stranger, formerly Vagenius, are effortlessly attuned to and enamored of LA’s decadent, chintzy, eclectic culture of Hip. Their lyrics admit as much with nonchalant honesty – that is, when they are not being all tongue-in-cheek.