Aurgasm

indie folk // alt pop

It’s hard to believe that the intricately layered melodies of Folded Light are the product of two friends (and not say, a legion of musicians), but it’s true. Steve Damstra and Jaffe Zinn make up the Los Angeles-based band, who released their self-titled debut in 2009, and Kelly earlier this year. Folded Light’s deceptively simple and catchy soundscapes belie the complexly woven arrangements beneath them. There is an oddly cinematic feel to Folded Light’s music; “Landscape” in particular conjures up images of open roads and rolled down windows. (It doesn’t come as a total surprise to learn that both Zinn and Damstra have other film-based projects: Zinn is currently finishing post-production on his first feature length film and Damstra composes music for television and film). Summer might be winding down, but take a listen to two of my favorite songs from Kelly, and see if you can’t extend the feeling a bit longer. The hints of lo-fi fuzz amid rolling guitar licks made “Kelly” one of my summer jams, while “Landscape” is a delightfully woven fabric of intricate melody, sweet vocals and humming instrumentals.

Delicately fuzzed-out melodic harmonies.
Folded Light – Kelly
Folded Light – Landscapes
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acoustic // folk // singer-songwriter

You might have heard Katie Herzig’s lovely vocals by now on Grey’s Anatomy, NPR or KCRW’s Morning Becomes Eclectic. Katie embodies the qualities of a true Aurgasm darling: appealing voice, captivating songwriting skills and a Southern charm. While the work of the Nashville-based songstress carry country influences, her repertoire is much richer than that. “I Want To Belong To You”, Apple Tree (2008), displays Katie’s melancholic yet playful, intimate and emotive songwriting. “Two Hearts Are Better Than One”, from her Live in Studio: Acoustic Trio (2009) release, delivers charming whistling, rhythmic verses and Katie’s sweet vocals.

Whimsical Southern folk melodies.
Katie Herzig – I Want To Belong To You
Katie Herzig – Two Hearts Are Better Than One (stream from Live in Studio: Acoustic Trio)
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bohemian retro ballad // singer-songwriter

Belfast artist Duke Special, a.k.a. Peter Wilson, is a de-facto Vaudeville revivalist. Duke’s songwriting is highly theatrical and colourful, somewhat recalling the aching beauty of such artists as Rufus Wainwright and Antony Hegarty as well as the Dresden Dolls’ cabaret extravaganza. In “Our Love Goes Deeper Than This” Duke merges a variety of inspirations such as melodramatic Vaudeville, big band and Bebop with rich and bouncy piano, clarinet, trumpet, drums and quirky sound effects. “Wanda, darling of the Jockey Club”, taken from his latest release The Stage, The Book And The Silver Screen (2010), parades the jaunty and retro swinging side of Duke’s song crafting.

Bittersweet Vaudeville melodies.
Duke Special – Our Love Goes Deeper Than This
Duke Special – Wanda, Darling Of The Jockey Club
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cabaret // folk pop // singer-songwriter

If you think that April Smith and the Great Picture Show sounds like the name of some 1930s vaudeville act — well, you wouldn’t be so far off. The upbeat and retro stylings of April Smith and her band bring to mind cabaret acts, jazz, and swing with an indie twist. As we saw at SXSW, there’s a swagger to her live set as well as the band’s recordings. April’s brassy vocals are well matched by the myriad of instruments backing her, including piano, upright bass, horns, accordion, drums, guitar and even a ukulele. Her album, Songs For A Sinking Ship, was a true-blue grassroots effort, financed by her fans on Kickstarter.com and the result is stunning, quirky and lively. This is burlesque with a swagger… and a heart. Take a listen to “Colors” and “Movie Loves A Screen” below and just try to refrain from clapping along.

Boisterous indie pop meets swingin’ cabaret.
April Smith and the Great Picture Show – Colors
April Smith and the Great Picture Show – Movie Loves A Screen
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indie pop // singer-songwriter

Singer-songwriter Laura Jansen has popped up a few times on Aurgasm before: once last year on the Jason Kanakis track “Anything,” and most recently when we covered her set at SXSW last month. It’s about time for a proper introduction. Laura’s unique indie piano-pop is exceptionally lovely, and manages to showcase her incredible songwriting and ethereal vocals at the same time. She skillfully combines rich instrumentation and sweet melody, with gorgeous results. The songs on her latest EP, Single Girls, run the gamut from playful to reflective and wistful, but they all manage an expressive eloquence that is mesmerizing. Take a listen to “The End” and “Single Girls” from Single Girls and see for yourself.

Eloquent and sweet piano-driven indie pop.
Laura Jansen – The End
Laura Jansen – Single Girls
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