CéU
Tuesday, July 24th, 2007 by Paul Irishbrazilian fusion // bossa
Just when you think that Brazil must have surely exhausted its supply of irresistibly jazzy, funky, sexy, soulful electro-pop singer-songwriters, a girl named CéU comes along to release an irresistible album full of samba, reggae, dub, electronica, love, heartbreak, chaos and sweet tunefulness. Her influences start with her musicologist father and spread out to genres like valsa, choro, soul, rhythm and blues, hip hop, afrobeat and electrojazz. Isn’t it obvious this deserves a spot on Aurgasm? :)Quite a mature sound for this Brazilian songstress’ debut
If you’ve been paying attention Cibelle (see-BELL-ee) has already caught your attention, I’m a little late on this but didn’t want to not post this songstress. São Paulo raised Cibelle crafts tunes that tell stories embellished by an instrumentation that won’t disappoint; ½ her album was produced by ½ of indie folk outfit Tunng. Her approach to song construction (somewhat 
Today I’ve got a pair of worldly remixes featured as part of National Geographic Music’s new presence at the most-excellent 
Being that you’re a fully committed Aurgasm reader, you’re no doubt fully fluent in the cuban music subgenre 
From the liner notes:
Hopefully by now you’ve dropped by 
Of all recommendations from my readers, R y G has been mentioned most frequently. This worldly and adoringly cute couple emerged from Mexico’s metal scene and now resides in Dublin, making music you’d expect from Argentina. Their trademark red-hot guitar technique and harmonies spark your attention, but the timeless songwriting holds you tight. ‘Tamacun’ and ‘Diablo Rojo’ are off their newest eponymous release, while the video of ‘Capitan Casanova’ below is from their 
My first mental association with an accordion is my father playing christmas carrols on his, being so geeky it’s charming. But Richard Galliano has taken the accordion places I’d never imagine that old reedy squeezebox going. He revived the turn-of-the-century Parisan dancehall music known as 
In 1997, Brighton-based duo Smoke City released “Underwater Love”, a Brazilian-flavored trip-hop tune which landed a great number of fans and ended up on over fifty compilations. The dreamy, sweet-tongued voice of vocalist Nina Miranda created the sharp allure and addictive quality of the track. Now, after some collaborations with Bebel Gilberto, Nitin Sawhney, and Da Lata, Nina joins eclectic producer Dennis Wheatley as Shrift. Together they create a seductive sound that transports you halfway between South America and wind-swept fantasy. Off their upcoming album, “Floating City” spins around you in a genre-fusing 6/8 rhythm and “As Far As I Can See” nails beautiful melody with little, deliberate instrumentation.
shamisen. n. 1. A Japanese 3-stringed musical instrument with a very long neck, plucked with a bachi (a binding of sticks). 