Aurgasm

electropop // dream pop

Melbourne-based Helen Croome, better known by her stage-name Gossling, sings tales of love and heartache. Harvest Of Gold (2014) is a blend of whimsical harps, playful leftfield pop and disco glamour that brings to mind Danish electro-pop sirens Oh Land and Hannah Schneider. Yet it is Helen’s hypnotic voice that sets her apart. Her dreamy, eerie child-like delivery is distinct and perfectly layered with heart-warming musical arrangements.

Gorgeous and ambitious debut.
Gossling – Harvest of Gold
Gossling – A Lover’s Spat
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folk-pop // singer-songwriter

French chanteuse Mina Tindle, a.k.a. Pauline de Lassus, delivers breezy cool songs. Following the line of bright and clever indie-pop from the likes of Feist, Mina crafts little pieces of pop perfection. Her style ranges from acoustic folk ballads to buoyant piano-driven pop, while she moves effortlessly between English and French lyrics. “To Carry Many Small Things” is driven by an upbeat, toy-piano arrangements that brings to mind French superstar Camille. “I Command”, from the new album Parades (2014), is a true pop gem.

Subtle yet incredibly catchy sound.
Mina Tindle – I Command
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pop français // singer-songwriter

French pianist and composer Albin de la Simone is best known for his collaborations with Jeanne Cherhal, Vanessa Paradis and Keren Ann. Although Un Homme (2013) is his fourth solo album, de la Simone is still relatively anonymous among contemporary French chansonniers. His lyrics are clever and his melodies engaging, but what makes de la Simone stand out is his voice and remarkable subtle string and piano arrangements. “Moi Moi”, featured below, is a delightful duet with the lovely Emiliana Torrini.

Elegant songwriting with a dose of whimsy.
Albin de la Simone & Emiliana Torrini – Moi Moi
Albin de la Simone – Le Fuite
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bedtime beats // pajama pop // indie folk

Shawn James Seymour and Yoshimi Tomida make up the husband and wife duo, Lullatone, from Nagoya, Japan. Lullatone’s first album was comprised of lullabies written by Shawn for Yoshimi, and their freshly recorded album is a collection of new lullabies for their child, Niko. Their appropriately self-dubbed “pajama pop,” is a playful blend of whispered vocals, unique instrumentals and carefully spaced beats. For the album, The Bedtime Beat, they mixed the ambient sounds of bedtime rituals, such as splashing bathwater and gentle snoring. Notably, in the song “Goodnight Train” they used a xylophone played with a violin bow to imitate the chug-chug of a train. Conceptual but not distancing, their comforting and alluring sound is far from boring. Rather, Lullatone’s songs are delightful gems that capture the familiar essence of home.

Sweet homemade lullabies.

Lullatone – The Bathtime Beat
Lullatone – Goodnight Train
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danish pop // vocal electronica

Following the recent international success of Oh Land and Fallulah, it’s safe to say that Danish songstresses take the current electronic-infused pop tendencies beyond the too common synths-plus-strings clichè. Copenhagen-based Hannah Schneider’s sophomore album Me Vs. I (2012) combines classic singer-songwriter tradition, perfect pop sensibility and Nordic electronic soundscapes. In the standout track “Me Vs. I”, featured below, Hannah’s mesmerizing vocals are emphasized by endless layers of electronic sounds and sample-collages.

Mesmerizing Nordic soundscapes.

Hannah Schneider – Me Vs. I

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piano pop // indie-songwriter

Gorgeous melodies and captivating phrases of poetic innocence rise from a big splash in Andrea’s heart. Steeped in her rich, breathy voice, the Beat Beat Pound of piano joins sweeping strings to serenade unveiled affection for someone special to appreciate forever. But sparks fly then fade, and gravity alone cannot hold feelings together. From passion to passerby – distancing memories of love ripple away. Time pauses in a summer rain keeping you inside to relax, think, and sip tea. Bittersweet moments linger on repeat as reflective longing tides our minds like the catchiest measures in songs.

Lyrically sweet and beautiful.
Andrea Ball – Gem
Andrea Ball – Sun Goes Down on the City
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pop-folk // singer-songwriter

Hush (The Secrets Project) (2012), Shelly Fraley’s latest album, has everything to satisfy your pop cravings for the summer. It’s sweet, yet far from sugary. It’s catchy, yet sophisticated. Essentially, it’s everything you could want in a pop song. Shelly’s album ranges from mid-tempo piano ballads to upbeat acoustic tunes, all brimming with the cleverly crafted hooks. The opening track “Hush” would most certainly appeal to the fans of Lenka, while the lovely “Just Don’t Wanna Be Alone” shares similarities with such pop-folk darlings as Rosi Golan and Katie Herzig.

Sweetest pop perfection.

Shelly Fraley – Hush
Shelly Fraley – Just Dont Wanna Be Alone
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pop // soul

Miriam Bryant’s debut single “Finders, Keepers” (2012) might label her as a potential Sweden’s answer to the British soul invasion. However, while vocal comparisons to the critically acclaimed Adele are definitely due, Miriam’s songwriting is more in line with Paloma Faith’s jazz glamour with an added touch of Amanda Jenssen‘s sing-along soul-pop. “Finders, Keepers” is a truly emotive ballad that evolves around dramatic piano and strings, and Miriam’s powerful vocals. She’s one songstress I’ll be keeping a keen eye on in the future.

Strong, emotive songwriting.

Miriam Bryant – Finders, Keepers
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french vocal // soft soul

From the very first track of her debut album Jusqu’aux Oreilles (2008), Quebec native Amylie enchants the listener with her soft-toned and subtle sound. The soulful vibes of “Espace” evoke similarities with critically acclaimed Les Nubiennes’ Princesses Nubiennes, while its lush instrumentation and clean hypnotic production reminds the sound of Zero 7. Catchy, uptempo and playful “Mes Oreilles” brings to mind the debut album of French chanteuse Camille.

Fresh, sweet-sounding and vibrant.
Amylie – Espace
Amylie – Mes Oreilles
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Jazz // Pop

An intriguing personality shows in the words and music from Bev Lee Harling. Songs about expectations, modern life & love are matched by a diverse production which is sometimes tongue in cheek, but always spot on in presenting the song eloquently. Don’t be fooled by the sweetness of her voice; she conceals a dark twist and wickedness underneath her cute appearance. “Private Life of a Puppet” sees a fine balance between innocent & dark, while “Barefoot in Your Kitchen” has you guessing whether it is a smart analogy or just a loving tribute.

Jazz pop with an intriguing twist.
Bev Lee Harling – Private Life of a Puppet (acoustic)
Bev Lee Harling – Barefoot in Your Kitchen
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