February 2nd, 2009 by Julija
funk // jam band
Among Tel Aviv’s alternative music lovers, the Ramirez Brothers trio has made a good name for their outstanding lively performances long before their debut album release. 100% analog, The Ramirez Brothers’ recently released album captures that special sound quality, preserving the atmosphere of the live show. “Sizzlin’ ” featuring Karolina on vocals, delivers stylish rhythmic grooves along with a funky, sunny feeling.
From groovy freestyle to tight uptempo funk.
The Ramirez Brothers – Sizzlin’
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December 10th, 2012 by Kyle
folk // post-rock
Nourished by Sierra mountains, wilderness, and home; cherished by sharing joy through wedding stories; Drew Barefoot renders a threshold baring nature’s cathedral in tone.. and in tune with finding hidden felicity. In a sermon from rustling leaves, or remedial gossip between wind and Forrest Creatures, there is an ageless desire for comfort and trust that is searching for awareness of Heaven from one’s touch. Spiritual union carrying you to a new world; or, for now; simple notes combining soft Iron and acoustic Wine into gently triumphant Explosions in the Sky above underground springs of piano and banjo.
Soothing, exhilarating, inspiring.
Drew Barefoot – Follow the Porcupines
Drew Barefoot – Enjoy the Calm
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July 22nd, 2005 by Paul Irish
playful aussie rockhiphopreggaedirtycubanjazz

Now if you’re from Australia, you’re fully aware of this power squad of rockers. But if you’re not, don’t start thinking The Cat Empire is in the same aussie vein as Silverchair and Savage Garden. No no, TCE packs a hell of a punch – killer guitar riffs coupled with a nasty brass section. All the while, they feel like some neighborhood kids having a hell of a time, but you can’t not love the entirely fun grooves they produce. ‘Sly’ jumps loudly off their newest album,
Two Shoes, while ‘Hello’ is one of the killer singles from their earlier
eponymous release. Dig the organ and swing interlude where it duels against a mean turntable scratch.
Extraordinarily fun and enjoyable stuff. Perfect for the hot summer.
The Cat Empire – Sly
The Cat Empire – Hello
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September 25th, 2004 by Paul Irish
vocal jazz downtempo // film soundtrack chill

Luscious full sound. The Cinematic Orchestra creates music that is unmistakably jazz; it assuages the listener into a feeling of utter contentment. British multi-instrumentalist and composter Jason Swinscoe created the group and has led it to repeated successes. After the release of their first album,
Motion, they were asked to perform at the Directors’ Guild Lifetime Achievement Award Ceremony for Stanley Kubrick. Just last year, they were asked to compose a score for the 1927 ground-breaking silent film,
Man With a Movie Camera. Below, “All That You Give” features Fontella Bass of “Rescue Me” fame, but now in a entirely different context.
Take up a seat on your sofa, and chill to this mellow motion with soul.
Cinematic Orchestra – All That You Give (with Fontella Bass)
Cinematic Orchestra – Horizon
A video clip of the rescored Man With a Movie Camera
April 15th, 2012 by Kyle
jazz // thunder
Hopefully your speakers can fully embrace the percussive salvo of Bottom Rhythm Jam. Featuring Indigo Jam Unit‘s drummer, Takehiro Shimizu, and pianist Yoshichika Tarue, led by Kosuke Tsuji, with Gandhi on contrabass, this is the hardest hitting, relentless pounding jazz I’ve ever enjoyed. A ferocious and awesome Encounter binding earthly tremors to your body.
Explosive jazz from Japan.
Bottom Rhythm Jam – Crisis
Bottom Rhythm Jam – Core G
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November 20th, 2006 by Paul Irish
Three weeks ago, I fired off an email to the IFPI, who had ordered a DMCA takedown notice for the entirety of Aurgasm’s music.
Through some back-n-forth, I was informed that the IFPI’s complaint was only addressing three songs, not all of the music. (In particular, they didn’t like the An Pierlé and the Lily Allen music being shared.) I decided to seek permission for those two artists with which I could then file a counter-notification back at the IFPI. I tried getting in touch with An Pierlé’s management at PIAS/Helicopter, but a response never came from the contact points I found. Lily’s representation proved a little more accessible. Although they did give me permission; it was granted reluctantly and only for a week’s time.
Now, since the complaint was regarding three songs, I could reinstate the rest of the music archive. For now, I’m going to hold off on that and continue to post music we have explicit permission to share. I’m going to be making a few upgrades to Aurgasm quite soon that will improve the whole experience for music fans and copyright holders. Stay tuned.
In Other News
I’ve learned that Aurgasm got a shout-out in Britain’s National Newspaper of the Year, The Guardian. We were mentioned in the sidebar about soul music blogs in The Guardian Guide this last Saturday, Nov 19. It’s not online and my local libraries don’t have it, so if any of my British brethren can hook me up with a scan of it, I’d be most appreciative.
Update! Updates!
(11/22) My good man Duncan hooked me up with a scan of the pages. (Thank you!) Check em out:
(11/27) …and we just got in a scan of Southwest Airline’s in-flight magazine Spirits, who ran an article on mp3 blogs. Aurgasm and a few of my excellent brothers were included:
December 7th, 2006 by Paul Irish

Sizzling off Certified Bananas’ new mixtape
Sprang, this hot little number stylishly blends the
Little Mermaid classic with the baltimore club sound. Certified Bananas, based in Providence, are two very talented and kind gentlemen (Sammy Bananas recut this track exclusively for Aurgasm). You can hear their signature sound of club beats, retro tracks and clever mashups in the clubs of Boston and New York frequently. Seek ‘em out.
Certified Bananas – Kiss The Girl (Baltimore Remix)
UPDATE: If you’re feeling this, the boys are in Boston at the Enormous Room TONIGHT! Also, drop by Discobelle to peep their brand new exclusive mix ‘Sweden on Blast’. Holla.
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May 21st, 2013 by Julija
world jazz // cape verdean 
The music of Lisbon-born and London-based songstress Carmen Souza is hard to categorize, but easy to love. In her recent studio-album Kachupada (2013), Carmen embodies the influences of traditional Cape Verdean sounds, American jazz, Latin, Afro-Caribbean rhythms and more. Carmen’s remarkably soulful voice is the center of it all, as she easily swings through exotic beats and mellow jazz tones with a feeling of saudade. Her version of Charlie Parker’s bebop classic “Donna Lee” sounds festive, danceable and extraordinary original.
Jazz-tingled tropical musical adventure.
Carmen Souza – Donna Lee
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January 13th, 2009 by Paul Irish

Four and a half years after its inception, Aurgasm is now sporting some new looks. I worked together with designer Tom Kershaw to craft a more engaging, more rich, and more 2009 look. Larger imagery, a fresh identity, and enhanced visual clarity join the usable music listening experience you’ve gotten used to.
This redesign is a gift from us at Aurgasm to you, our faithful readers. We truly enjoy sharing music with you. We hope you like the design. I’m still ironing out some bugs, but please leave a comment if you see something out of sorts.
Thanks!
October 10th, 2007 by Michelle
singer-songwriter // indie folk // soundtrack maven

Even if the name doesn’t ring a bell, chances are you’ve heard at least two of his songs. “Blue Eyes” and “Ride” were both featured on the soundtracks for “Garden State” and “The Last Kiss,” respectively. Don’t let that deter you. Cary has the incredible ability to home in on a variety of emotions, whether it’s heartache or defiance or a little of both. Each feeling is magnified, and while listening it’s as if at any moment you’ll burst into a million pieces.
If you had your own soundtrack, he’d be on it too.
Cary Brothers – Honestly
Cary Brothers – If You Were Here (Thompson Twins cover)
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