Jehro
Monday, July 31st, 2006 by Paul Irishcaribbean soul // folk // reggae
Nuzzle these together for me: the songwriting flavor of Jack Johnson, the character of Amadou & Miriam, and the sound of the islands with the roll of an ocean wave. The Frenchman Jehro (pronounced ZHE-ro) moved to London at 20 and was absorbed by the Jamaican and Spanish influences around his Hammersmith flat. You can expect light and acoustic arrangments alongside Jehro’s chansonnier voice delivering lyrical sensuality. As for me, I expect to see a lot more of this cat.Island love played cool.
Jehro – Everything (track 9 on the Aurgasm Summer Soundtrack)
Jehro – Long Is The Way
buy this cd
Mr. Frank Sinatra once said that Lou Rawls had “the classiest singing and silkiest chops in the singing game.” High praise, but well deserved. Rawls hailed from Chigago where he was high school buddies with soul giant Sam Cooke; they later collaborated on “
If reknowned jazzbreaksdancegroove über-DJ
Beady Belle is a result of collaboration between vocalist Beate S. Lech and talented instrumentalist Marius Reksjø which began at the University of Oslo. Marius earlier worked with the
Just like Sly & The Family Stone’s “Dance To The Music” and Archie Bell and The Drells’ “Tighten Up”, this track has an additive instrumentation structure. James calls for the bass player first, followed by the drummer, and then gets some organ action stirring up that pot. Once some horns drop into the groove, you know the hot game is on. This group didn’t make a big record, but they were considered the “number one Miami and Miami Beach band of the funk era.
Ya know, sometimes I see this song floating around; I think Thank god somebody’s listening to it. But still not enough bodies are hearing this; it’s an absolute classic. It’s been sampled by everyone — from Public Enemy to Congo Natty. Picture this: a suave black brotha’ strutting down the city block after he had just kissed his sweet lookin’ honey that he just knows looks too good for him, but damn it, he’ll take it. And he is one happy, smug fella’.
There is something so irrestible about handclaps leading off a song, especially when they’re backed up by a scorching brass section. Mr. Joe Bataan evolved from a childhood in Spanish Harlem, an adolesence with Puerto Rican gangs, and an absorbtion of R&B, Afro-Cuban and Afro-Rican musical influences into the absolute king of the boogaloo. He released this red hot track in 1969, right when the fiery attitude of the genre was at its peak. Unfortunately for him and others like Joe Pito, the fanbase faded but we’re keepin’ it hot. If this shit lights you up, get down with
Imagine all the hottest tracks of Motown, all mashed up in a megamix of soulful body-movin’ music. DJ Z-Trip delivers exactly that in this 9-minute long non-stop funk-fest. He drops into it with some Jackson 5 loads you up with the finest grooves of The Temptations, and even forcefeeds you some hard-hitting Edwin Starr. DJ Z-Trip is widely regarded as one of the finest sampling and mashup professionals, alongside 2 Many DJ’s,
N’Dambi got started as vocalist with the big afro, backing up the soul siren Erykah Badu. Her solo albums sound like what you’d expect from Sunshine Anderson, India.Arie, The Princesses Nubiens, or Erykah — laid back grooves with an upright bass, a scatting vocal line, and a head-nodding chorus. “Call Me” snuck itself in my head after listening to my man Maze’s
The music from Motown was the only stuff that could speak your soul and to your dancing feet. We all know Edwin from his classic protest song “War”, so much that Jackie Chan quotes it. Great song; this one’s even better. He recorded it a year earlier in 1969. The driving percussion feels like bullets shot at your toes (dance, sucka!) and the hard baritone sax and horns grab your shoulders into a solid groove. It’s a classic inescapable tune that got a little too forgotten. Revive it.