Among Tel Aviv’s alternative music lovers, the Ramirez Brothers trio has made a good name for their outstanding lively performances long before their debut album release. 100% analog, The Ramirez Brothers’ recently released album captures that special sound quality, preserving the atmosphere of the live show. “Sizzlin’ ” featuring Karolina on vocals, delivers stylish rhythmic grooves along with a funky, sunny feeling.
Musician and composer Pedro Luis Ferrer has been an active Cuban musician since 1965. In his native Cuba he is famous as a musical innovator as well as a sharp social critic and a master of the guaracha musical style. He combines the influences of dynamic Cuban sounds, including Cuban son, guaracha-style songs with his own lyrical poetry. Ferrer’s latest record Tangible (2011) sparkles with bursts of horns, Latin percussion, earthy guitar and and the tres, inviting your feet to move.
This music exudes solid, soothing feeling. Feeling I’ve been looking for; to fill the emotional gap that’s come as I’ve just finished my undergraduate education. I’d say these two songs are a fair representation of my duality of feelings towards school. “Another Day” is an earthy nu-jazz groove with Jill Scott voicing some deliciously soulful complaints about having to work. “Les Fleur” then enters quietly; it’s unassuming track gradually leading up to a crescendo of accomplishment. Good job, mate. “I don’t wanna go to work today, I’d rather stay home and play video games…”
Is to give your heart or have it taken all of life? Nothing else seems relevant in Nicole Simone‘s music, and that’s something I can relate to. She loves me, she loves me not – a field of daisies ravaged by uncertainty. Her sultry persuasion can caress or carve out a heart with paralyzing euphoria and inflict stoic men with boyish war. A silky smooth trumpet coats one’s will, the gentle bass thump removes your armor, as marxophone, guitar and piano fastens temptation. Dark, moody, passionate desire, eerie and erotic – provocative songs that linger like an eternal flame; reducing your soul to brimstone ash.
Although I was introduced to the non-traditional, experimental musical approach of John Erik Kaada quite a while ago and his name was previously mentioned on Aurgasm, only now his music caught up with me. Writing a soundtrack to an imaginary film, Norwegian sound artist Kaada showcases his skills in composing haunting musical pieces made of tender melodies and wonderful textures. His entire orchestra of dramatic strings, piano, glockenspiel, glass harmonica and achingly soaring wordless chants create something strongly evocative and atmospheric.
Filled with an indescribable longing, instilling some sort of yearning.
Oozing with provocative charm, Bitter:Sweet‘s music is a s’mores of sexy melodies and chocolate-covered lyrics – each bite more delicious and mocking an endless craving. Turntables seduce a harp; strings and drums beckon basslines; while Shana’s voice is smoldering and sly, always teasing and pleasing, gently kindling before it ignites. Their tantalizing tendencies explore your innermost desires by fashioning sound as comely exotic dancing fire that casually mellows then miraculously rages.
It’s no surprise they’ve highlighted numerous tv shows and movies since their debut, and seeing them live is a sensuous delight. Supported by a full band, they arouse shagadelic sincerities luring souls to dance with a touch of mystery emanating from their presence. Clearly, they’ve mastered their craft of making music that’s playful and seductive while translating this to a fantastic lounge experience.
Be sure to say hello afterward; they’re some of the nicest folks I’ve met. And get there early for a warm-up by DJ L.C. mixing the likes of Rod Stewart, Genesis, and The Doors over danceable hip-hop beats that would make the RZA smile. Outstanding. Here’s photos I took during their show at Revolution Hall last week, and two aurgasmic songs from their latest album, Drama.
I’m heading with Aurgasm friend, Adam, to Europe for three weeks in July.
Right after we land, we’re hitting up the Dour Festival in Belgium.
Totally psyched about this. We plan to bring you the same sort of broad coverage that we did for SXSW. Go check their lineup and yell at us if there’s anyone there we need to see.
We got our train passes
After the festival, we’re planning on meeting up with my brother in Stuttgart and taking the train around quite a bit. Right now we’re planning on hitting Amsterdam, Stuttgart, Prague, Olomouc, Krakow and Budapest. And then maybe Zagreb or Rijeka, Croatia, or Cluj, Romania, or somewhere else?
If anyone has suggestions for what to do or see, or any nearby cities, please leave a comment. (I might email you back) If you live in one of these spots, I’d love your perspective and we should definitely meet up for a drink!
Can I get some music, please?
Why, certainly :) Dub FX, is a beatbox artist who street performs all over Europe. Watching him construct one of his multilayered compositions is impressive—he throws some pitch-shifted bass underneath ethereal treble highlights and solid hip-hop vocals:
Turns out that Nick Waterhouse’s vintage R&B and early rock ‘n’ roll aesthetic isn’t limited to his throwback ’50s sound. His entire approach to production follows this same faithfulness — Time’s All Gone, the 25 year old’s debut album, was recorded mostly live, entirely to tape, and it certainly pays off. The album pops with barely restrained wildness and energy that’s infectious and addicting. Whether it’s the blaring horns, catchy hooks, or Waterhouse’s crooning vocals; there’s a lot to love about this record. Take his music for a spin and join the party!
While this video made the rounds late last year, the song stuck with me ever since. After some sleuthing (thx, brandon!), we know know that Mr. Nathan Larson is responsible for the delightful audio (and lernert for the video). He composed it originally for the 2004 film Palindromes by indie fave Todd Solondz. Inside the song, a lonely piano plays a somber waltz whilst a desperate female voice offers a most beautiful melody.