Aurgasm

nujazz // downtempo

I promised myself I’d listen to 2005′s Toujours le meme film whenever I wanted to recall the accomplishments of the downtempo movement. The album, (over)produced by Paul Nawrata aka Urbs, is so complicated that it evokes emotions far beyond where current downtempo can reach. His aesthetic sophistication is impressive, creating a new motto that less is, actually, never more. And because his effortless groove never sounds congested, we are left with not mere beats, but life stories, spanning more than one time frame.

Vienna chanteuse, whisper me a new tune.
Urbs – So Weit
Urbs – Tu Moi Aussi?

Words contributed by Angad Raj Singh
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french vocal // avant-pop

A month before my Italian tipster, my gal in Lithuania led me to the talented and innovative French vocalist Camille. You probably know her from her vocals on the Nouvelle Vague album, but her solo talent is impressive. She recently released Le Fil (trans: the wire, the yarn, the string) an album done mostly a capella. This effort learned from Björk’s botched attempt and delivers songs that let you enjoy the levels of voices only if you desire to. Taking on the wire metaphor, throughout the album is a sustained vocal note, like line noise, but on top are created catchy rhythms with adorable melodies.
Filling the spectrum with sounds and voices.

Camille – 1,2,3 from Les Sac Des Filles (2004)
Camille – Ta douleur from Le Fil (2005)
Camille – Au Port (music video) from Le Fil (2005)
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indie pop // experimental

Josh Ottum, a Seattle-based musician and songwriter, has been making his tiny-bedroom-music for 4 years before composing his debut album Like The Season (2007). To put it in his own words, Like The Season is a twelve song journey into the hallways, bedrooms, dining rooms and garages of popular music. Josh’s “The Easy Way Out” evolves from sweet, coherent and easy-on-the-ears harmonies to a rhythmically driven complex production. With layered arrangements of multiple drums, repetitive piano, catchy horn lines and quirky phrasing Josh builds “The Easy Way Out” to a charmingly dynamic indie-pop song.

Whimsical songwriting, complex instrumentation.
Josh Ottum – The Easy Way Out
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ambient // folk electronic

Set adrift on an open sea of morning sunsets; wrapped in silk sheets with bubbly sounds permeating your skin’s pores; Marsen Jules’ Les Fleurs pulls its way into every nerve of your body – wrestling gently with layers deep inside, feeding your heart impulses of tranquility, while soothing and effortlessly lifting away the surface of every day. Escape, forget, dream.

Close your eyes and drift away.
Marsen Jules – Coeur Saignant
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français-africain // pop nouveau

Originating from Western Sahara in Algeria, growing up in a multi-cultural environment, Soha blends a variety of styles in her work. Mixing musical traditions from around the world, the prominent Cuban, Latin, jazz and soul influences, Soha gives an appealing vivacity to her sound. The soulful beats and warm equatorial flavours of “Tourbillon (Serre-Moi Fort Si Tu M’aimes)” contain a seductive quality, while “C’est Bien Mieux Comme Ça” creates a festive yet relaxed pace.

Pulsing with passion and energy.
Soha – Tourbillon (Serre-Moi Fort Si Tu M’aimes)
Soha – C’est Bien Mieux Comme Ça
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chill-out // experimental hip hop

Andrea Mangia falls somewhere between a blissful float down a sunset river and snow falling on industrial estates, whatever that means. And yes, he sounds like a breed of Scott Herren (Prefuse 73) and Four Tet, but I mean, so what? I like Four Tet, and frankly the last album wasn’t that great – so if there are competent imitators I’m happy to oblige. Especially with tracks like ‘Hip Hop Cocotte’ that swirls slowly into a great, sticky mass of guitar strings and electronic hisses; or ‘The Dixie Saga’ which has an eerie darkness to its clicks and twangs.
A nifty handful of beats, heady yet sweetly chilled out.

Populous – Hip-Hop Cocotte
Populous – The Dixie Saga
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Since Aurgasm’s launch over two years ago, I have been putting all of aurgasm’s mp3s in this folder called /tracks/. If you had pulled it up in your web browser, it was a directory listing of all the music I’ve posted for the past 6-8 months. What you may consider a treasure trove for you, the IFPI (essentially a worldwide RIAA) considered it a violation of the DMCA. The Digital Millenium Copyright Act is what the RIAA uses to sue dead grandmas without computers, claiming they’re sharing mp3s.

So what happened the other day?

Thursday, the IFPI contacted my webhost and had them remove all the mp3s on my site. No further legal action is being taken (that’s a good thing), but all of aurgasm’s music is gone for the moment.

…and thank you.

I appreciate the outpour of support everyone has given. Fellow bloggers have been educated by my mistakes and supportive of my plight. Aurgasm’s readers have eager to help; offering to document their purchases that came from this site and more. For the moment, be comfortable and sit tight. Things will hopefully return to normal quickly.

So what now?

Aurgasm will continue to feature your favorite music you’ve never heard, but we’ll be thorough in obtaining permission to share the music we need to share. Up to now, a good portion of the music on Aurgasm has been posted with artists’ (or their representatives’) consent, though not all. I am eager to put Aurgasm’s music back online, but need to first get legal consent from all artists to share their wares. I’m in the midst of communications with the IFPI to rectify the situation.

With sage advice from EJ of Loudersoft, I fired off this email to the IFPI this morning:

To Whom It May Concern:

1) I have permission from the record label, PR company or the artist directly for many of the tracks posted on my site. Additionally, some of them are not copyrighted whatsoever, therefore it’s unlawful to claim to represent the copyright for all of them.
2) If there are any specific examples of tracks that you consider to be in violation, you are required under U.S. jurisdiction to provide me with complete and full disclosure of the specific offending items.
3) If you fail to respond to this with the appropriate information on or before November 1st, 2006, I will assume that the IFPI is withdrawing their DMCA complaint, that it has no further merit, and that I am exempt from future action on this claim.

-Paul Irish
http://aurgasm.us

Stay tuned for more music and hopefully less drama. :)

soul // blues // french acoustic

The story of Okou begins in a Parisian bar. Tatiana Heintz, originally from the Ivory Coast, and Gilbert Trefzger, a Swiss guitarist with Egyptian roots, are truly world artists. Their debut album Serpentine (2010) blends sounds from around the globe. Serpentine captures the spirit of soul, blues and roots music, evoking the best American folk traditions and New Orleans’ sound with a delicate European touch. The acoustic guitars and banjo arrangements with the somewhat old-fashioned groove make “To The Bone” a perfect road trip soundtrack. Seductively mellow, French sung “A L’aurore” is a real West Africa meets New Orleans musical gem. The outstanding song carries rich instrumentation that includes strings, banjo and tuba.

Soulful southern yet cosmopolitan vibe.
Okou – To The Bone
Okou – A L’aurore
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vocal electronica // atmospheric

He crafted Madonna’s grammy-winning comeback Ray Of Light, been criticized by composer Arvo Pärt, loved by tranceheads (Ferry Corsten’s trance remix of Adagio For Strings, anyone?), and shunned by many others. (Seriously, what’s with the name?) Now, William Orbit is releasing a solo artist album far better than his previous Pieces In A Modern Style. To be honest, I don’t want to enjoy his music, but I can’t maintain disinterest. The album is entirely too cohesive–it sounds like different themes of the same (beautiful) song. But I’m still moved by the angelic melodies on this album despite their methodical (over)production.
An A+ album I wish were by someone else.

William Orbit – Surfin
William Orbit – They Live In The Sky
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danish singer-songwriter // brooding // experimental

Jomi Massage is not the name of a woman. It’s an “electric massage device” from the early 1960’s, back when marketing such a device was rather daring. Songwriter Signe Hoirup Willie-Jorgensen wanted embody the sensual, touching and alluring feeling with her brave music as Jomi Massage. Listen to “Undressing Aloud” with your headphones plugged in: it is filled with sensuality, thrilling tenderness, and contains a certain vulnerable and fragile feeling. “Like weather” sounds melancholic, slightly moody and sorrowful.

Daring and baring, expressive and sensitive.
Jomi Massage – Undressing Aloud
Jomi Massage – Like Weather
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