electronic posts

End

Wednesday, March 16th, 2005 by Paul Irish

glitch lounge // exotica remixed

When Martin Denny passed away a fortnight ago, I had to admit that my knowledge of him and his work was scant. I had familiarized myself well with Les Baxter, but really didn’t know much about the true founder of exotica music. Denny was the first to bring together his own trademark tropical jazz music with sounds from nature: bullfrogs croaking, songbirds calling, and palm trees swaying; thus creating a new musical innovation that he termed “exotica”. Now, on his EP Percussions, New York-based End now has taken this sound and interjected a healthy dose of electronic sample-magic to take exotica into the decade of the aughts.
A frenetic lounge soundtrack delivering the South Sea by way of the sampler.

End – Cocktail Hour
more mp3s at End’s website
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Four Tet

Tuesday, March 8th, 2005 by Paul Irish

folktronica // indie electronic // post-rock

Just got my paws on a smooth new gem and found our friend Kieran Hebden tossing a track on. Everything Comes And Goes is an unusual take on a Black Sabbath cover album, full of “interpretations and mutilations” of classic Sabbath songs. Some, like Matmos’s sparse and sporadic “F/X”, feel more like inspirations from the originals; others take Sabbath’s songs and mimic them in alternative genres: country, space-rock, acoustic, and garage rock. The Four Tet stands out as the most polished and poignant song — delivering the melody you know, but in a new comfortable light. Just because I love the guy, I’ve also posted his skillfull take on “Breathe Me” by Sia Furler (vocalist from Zero 7).
An intimately acoustic and earthy sound.

Four Tet – Iron Man
Sia – Breathe Me (Four Tet Remix)
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Mawglee

Sunday, February 20th, 2005 by Paul Irish

chill-out // downtempo

Despite being a significant fan of downtempo electronica, I have to admit it’s difficult for a downtempo track to “jump out” at you. I mean, the whole point is that they are chill and unobtrusive grooves. But when I was listening to one of CPI‘s choice mixes, this Mawglee track made me stop what I was doing, turn up the volume, and drown in the sound. Starting out with a slightly disorienting hollow hall sound, Mawglee soon drops the song’s killer wheelbarrow bass. Just as your head’s starting to nod, the song’s body is stripped out. When he hands it back with a subtle dulcimer trickle, you just gotta love him for it. (Hat tip: brother Scissorkick blogged this Brighton cat before, giving some love to his funkier side.) Mawglee’s got releases on Tru Thoughts and Bastardjazz. Click up.
Downtempo that’s dynamic in structure, but remarkably lucid.

Mawglee – Dreaming
more mp3’s on mawglee.com
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DJ /Rupture

Monday, January 24th, 2005 by Paul Irish

afro-spanish pop // minimalist electro-ragga

Despite the absolute frigid temperatures this morning, my ride to work was warm because I had the sizzling island flavor of this tune to keep me moving. What at first intrigued my ears as odd spanish rap, soon matured its sonic sound as a dubbed-out dance track where you choose your level of involvement. You can let it be the backdrop for your utterly fascinating conversation of say, folksonomies; or conversely, you can crank it up, clap your hands, and make the other drivers on the road wish they had the CD, too.
A squeeky clean tropical production of deliciously organic sounds.

DJ /Rupture – Musquito (club foot remix)
Rupture (Jace Clayton)’s blog
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The Dining Rooms

Wednesday, January 19th, 2005 by Paul Irish

jazzy bossanova // afrobeat // cinematic downtempo

You know you’re doing something right in music when you attract the remixing talents of Quantic, Soulstance, the Bedroom Rockers, the Cinematic Orchestra, and Four Tet. This Milanese duo has been putting out fairly solid albums since 1999 providing the perfect sonic groundwork for some involved and exquisite remix action. And I believe that’s exactly where their work really shines — drop these (long, but) groovy, soulful tracks and taste it for yourself.
Get into bed with a hot bass, smooth marimba, and sweet saxes.

The Dining Rooms – La Citta Nuda (Soulpatrol Afrolicious Mix)
The Dining Rooms – Fluxus (The Cinematic Orchestra World Goes Round Mix)
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The Chemical Brothers

Monday, January 17th, 2005 by Paul Irish

big beat // funky electronica

This powerful duo debuted originally with the name “The Dust Brothers”, but an American group with the same name (later well-known for the Fight Club soundtrack) pressed some litigation and forced a change. Though mildly bitter, the british Chemical Brothers carried on, releasing their first album appropriately named Exit Planet Dust. Now, ten years later, the two release Push The Button, a break-rocking record exploring their trademark dance-rock-rap mix. Though “Galvanize” has gotten the first-single attention, it’s the sophisticated dance track “The Boxer” that rocks this record. Hard.
Sorry Fatboy, they’ve come a longer way, baby.

The Chemical Brothers – The Boxer (Feat. Tim Burgess)
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Telefon Tel Aviv

Monday, December 20th, 2004 by Paul Irish

experimental chill-out // idm

It being a chilly night and my furnace giving out, I’m turning to some warm snuggly music to envelop me. But instead of soft, comforting sounds, I want some sonics that come at me unexpectedly — from beneath, from behind and circling around my head. And I want all this confused sound to make complete sense. I’ll thank Telefon Tel Aviv and their debut album Fahrenheit Fair Enough for giving me exactly what I need tonight. They push both music in new directions and meanwhile continously demand more from themselves; their second album saw them mixing their trademark bleeps and twitches with vocals, breakbeats, and some more downtempo elements. (Sample the new album @ the ORTF mp3 blog)
Consider these a toe-dip into the experimental electronica tide pool.

Telefon Tel Aviv – Fahrenheit Fair Enough
Telefon Tel Aviv – ttv

Plaid

Thursday, December 9th, 2004 by Paul Irish

ambient electronica

Awash in aural beauty. A sonic landscape of life unfolding. Electronica heads know Plaid’s 1999 album Rest Proof Clockwork well, and for good reason; it’s a talent showcase of the more experimental side of electronica. “Ralome” is less experimental, more ethereal. Synthesizers so soft, so gentle — luscious round droplets of sound hop-skotching into your ears. Silky sonics wrapping warm legs around you while looking up at the stars. How’s that sound?
One of the most gentle melodic lines you’ll find in all of electronica.

Plaid – Ralome

Akufen

Sunday, November 7th, 2004 by Paul Irish

micro-house // glitch blues

Akufen’s unique sound arises out of a dedication to keep his listeners’ ears on their toes. For his acclaimed 2002 album, My Way, Akufen used a technique he calls micro-sampling; he would record hours of AM/FM radio and splice together half-second samples of different songs and voices to make a pattern-work quilt of fierce house sound. And now, just last month, The Rip Off Artist, Freeform, and Akufen collaborated on Blu Tribunal, a record to explore the convergence of blues and electronica. The music that came out is something you’ve never quite heard.
We’ve got two differently similar sounds here. Pick door number one for fractured house, two for the blues on mescaline.

|1| Akufen – Deck The House
|2| Akufen – The World Wanna Know

F i A S C O

Tuesday, October 19th, 2004 by Paul Irish

electro-porno-kitsch

Sex. Video. Ya-boos. F i A S C O, aptly named to reflect its absurd overexcessiveness, crafted together this delicious quasi-porno-video morsel. It’s bringing the ultra-sex of Mount Sims, adding in a handful of porno actors, the voice of David Bowie (or maybe Oingo Boingo) and spinning it in a superbly edited video showcasing the most hilarious sex strips and peeks I’ve seen. They apparently have no other songs, and their first show ever is this Saturday, but the video is making a loud splash. WARNING: NUDITY(!!!)
Give me a good excuse why you don’t want to see 80’s hair-dos and breasts. k. Thought so.

F i A S C O – Those Feelings (video)