pop posts

April Smith and the Great Picture Show

Tuesday, June 8th, 2010 by Michelle

cabaret // folk pop // singer-songwriter

If you think that April Smith and the Great Picture Show sounds like the name of some 1930s vaudeville act — well, you wouldn’t be so far off. The upbeat and retro stylings of April Smith and her band bring to mind cabaret acts, jazz, and swing with an indie twist. As we saw at SXSW, there’s a swagger to her live set as well as the band’s recordings. April’s brassy vocals are well matched by the myriad of instruments backing her, including piano, upright bass, horns, accordion, drums, guitar and even a ukulele. Her album, Songs For A Sinking Ship, was a true-blue grassroots effort, financed by her fans on Kickstarter.com and the result is stunning, quirky and lively. This is burlesque with a swagger… and a heart. Take a listen to “Colors” and “Movie Loves A Screen” below and just try to refrain from clapping along.

Boisterous indie pop meets swingin’ cabaret.
April Smith and the Great Picture Show – Colors
April Smith and the Great Picture Show – Movie Loves A Screen
+ Purchase/Visit

Laura Jansen

Wednesday, April 28th, 2010 by Michelle

indie pop // singer-songwriter

Singer-songwriter Laura Jansen has popped up a few times on Aurgasm before: once last year on the Jason Kanakis track “Anything,” and most recently when we covered her set at SXSW last month. It’s about time for a proper introduction. Laura’s unique indie piano-pop is exceptionally lovely, and manages to showcase her incredible songwriting and ethereal vocals at the same time. She skillfully combines rich instrumentation and sweet melody, with gorgeous results. The songs on her latest EP, Single Girls, run the gamut from playful to reflective and wistful, but they all manage an expressive eloquence that is mesmerizing. Take a listen to “The End” and “Single Girls” from Single Girls and see for yourself.

Eloquent and sweet piano-driven indie pop.
Laura Jansen – The End
Laura Jansen – Single Girls
+ Purchase/Visit

Sydney Wayser

Saturday, January 30th, 2010 by Michelle

singer-songwriter // folk pop

Sydney Wayser possesses an ear for melody and talent for songwriting that results in a collection of intimate and playful tunes. The half-French, half-American songwriter grew up in Los Angeles with frequent trips to Paris (and is now based in New York). This worldly charm is heard throughout her music, whether it’s the Southern-inspired “Banjo Bayou” or the dreamy allure of “Bells”. Though the majority of her sophomore album, The Colorful, was recorded on children’s toys and piano, there is nothing childish about it. Wayser’s alluring vocals and her unique instrumentals combine to rapturous effect. The Colorful wanders between light-hearted fun and poignant melody with ease.

Charming instrumentals and smoky vocals.
Sydney Wayser – Bells
Sydney Wayser – Banjo Bayou
+ Purchase/Visit

Rosi Golan

Monday, January 25th, 2010 by Julija

folk-pop // acoustic

Israeli-born New York-based Rosi Golan‘s debut album The Drifter & The Gypsy (2008) is 11 vibrant and neatly-crafted folk songs. Mostly accompanied by acoustic guitars as well as drums, bass, piano, banjo and mandolin, the album sways between folky tunes and mellow ballads. “Follow The Arrow” (not featured on the album) is probably the most uplifting, up-tempo and contagiously melodic track from Rosi’s repertoire. Another highlight (taken from the album this time) is the clever folk-driven “I Don’t Wanna Wait”, delivering catchy chorus with such a charming simplicity. The Drifter & The Gypsy will appeal to these who enjoy the tiny bit whimsical sounds of such artists as Ingrid Michaelson as well as the lovely songwriting of Lucy Schwartz.

Bright and light-hearted melodies.
Rosi Golan – Follow The Arrow
Rosi Golan – I Don’t Wanna Wait
+ Purchase/Visit

Marit Larsen

Sunday, December 27th, 2009 by Julija

folk-pop // acoustic

Some of you might be familiar with Marit Larsen as a former member of Norwegian teenage duo M2M, known for their hit “Don’t Say You Love Me” (1999). Following the duo’s break up Marit has shifted from the sugary sweet pop to a subtler and more mature kind of songwriting. Her second solo effort, The Chase (2008), is all about the rich yet unpretentious arrangements and memorable melodies. Featured below, “Steal My Heart” is one of Marit’s slow paced numbers and a great example of her orchestral pop crafting. The song evolves around the gorgeous strings and overall delicate instrumentation that carries Marit’s soft vocals.

Sweet melody to melt your heart.
Marit Larsen – Steal My Heart

+ Purchase/Visit