electronic posts

ILS

Thursday, October 7th, 2004 by Paul Irish

nu-skool breaks // hip hop // drum ‘n bass

Mind-stimulating dance music. ILS, aka Ilian Walker, was picked up by breakbeat godfather Adam Freeland after the promo Idiots Behind The Wheel hit Adam’s ears. The sound that he heard was something new: instead of an targeting the hard body-moving breaks and drum machine sounds of standard breakbeat, “ILS succeeded in bringing a deeper, jazzier, more intelligent flavour to the genre without losing its trademark punch.”[BBC Collective] The following tracks are off his latest release, Soul Trader.
This breakbeat’s got an organic, natural feel that gets your body and mind into the groove.

ILS – No Soul
ILS – Prohibition

The Cinematic Orchestra

Saturday, September 25th, 2004 by Paul Irish

vocal jazz downtempo // film soundtrack chill

Luscious full sound. The Cinematic Orchestra creates music that is unmistakably jazz; it assuages the listener into a feeling of utter contentment. British multi-instrumentalist and composter Jason Swinscoe created the group and has led it to repeated successes. After the release of their first album, Motion, they were asked to perform at the Directors’ Guild Lifetime Achievement Award Ceremony for Stanley Kubrick. Just last year, they were asked to compose a score for the 1927 ground-breaking silent film, Man With a Movie Camera. Below, “All That You Give” features Fontella Bass of “Rescue Me” fame, but now in a entirely different context.
Take up a seat on your sofa, and chill to this mellow motion with soul.

Cinematic Orchestra – All That You Give (with Fontella Bass)
Cinematic Orchestra – Horizon
A video clip of the rescored Man With a Movie Camera

Diplo

Friday, September 17th, 2004 by Paul Irish

hip-hop // abstract electronic

Complex aural acrobatics. Hard-hitting rhythm. Diplo popped up on my radar screen on a random FTP site, his name was enough to catch my attention. I listened to the bootleg album, Sound and Fury, and the most original, odd, and beautiful sound came out of my speakers. One could describe his sound as Timbaland meets Amon Tobin. The man drops a serious beat, plus he uses soulseek!
Summer’s Gonna Hurt You has been my late summer anthem. Feel the craziest beat creations you’ve known.

Diplo – Summers Gonna Hurt You
Listen to 3 full tracks on the BBC Collective

Groove Armada

Thursday, September 16th, 2004 by Paul Irish

dance party // chill lounge

Here’s a name I’ve sure you’ve heard. Groove Armada blew up in 1999 with the release of “I See You Baby” (Shakin dat’ ass), but have been exporting quality tracks all the while. Their earlier release of Vertigo produced a chill-out sound good enough to transport your soul to the salty beach. Their more recent albums, Love Box and Doin it After Dark haven’t garnered much attention, but it’s deserved.
“Superstylin” is a dubbed-out reggae dance hit that my butt can’t not dance to. Serve up some “Description of a Fool” afterwards to see exquisite chill-out in action.
Groove Armada consistently puts out a sound that gets right to the heart of the soul-filled Northern electronic sound.

Groove Armada – Superstylin (Radio Edit)
A Tribe Called Quest – Description of a Fool (Groove Armadas Acoustic Mix)

Soviet

Saturday, September 11th, 2004 by Paul Irish

synth-pop // electro

Driving electro bassline. Enough synth action to fulfill your inner moog. My cohort Molly turned me onto these electro-boys from the States. Their lead, Keith Ruggiero, helped produce a couple songs for Erlend Øye (Kings of Convenience). He also wants to completely dispell the idea that Soviet is “electroclash”. This song will make you glee-ful, guaranteed.
Latch your ears onto the chorus at 1:02. It’ll make you makeOUT.

Soviet – Breakdown