The Kilimanjaro Darkjazz Ensemble
Saturday, October 31st, 2009 by KyleOrchestral // Jazz // Dark Ambient
Overtures creep towards you bearing ominous insight. A ravenous beast of symphonic scale lurks behind every measure; its teeth a menacing discord that devour your surroundings presence. Henryk Górecki could be leading The Cinematic Orchestra through such a place, yet the scourge of blaring horns and thunderous storms resemble unknown regions. This elegant, brooding ardor bleeds from The Netherlands as The Kilimanjaro Darkjazz Ensemble; a project originating with Jason Köhnen and Gideon Kiers to recreate scores for classic movies like Nosferatu and Metropolis. Angelic offerings scarcely appear to cradle your stay, but whirlwind strings and industrial plight will have their say. Aching with beauty and purpose, Here Be Dragons is a story I do not want to unhold. A modern-day masterpiece.
Arrangements for Hallows’ eve.
The Kilimanjaro Darkjazz Ensemble - Caravan!
The Kilimanjaro Darkjazz Ensemble - Embers
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Let me go where you take me - childhood’s hour of bewildering delight. A pause only for concerns lasting moments already forgotten; where radiant lights and sounds shimmer all haphazard perfections into play. Harmonious adventures in remarkable surroundings, subsisted by slight glitter, and twitter, from flitter placed upon 
Do you recall the beat of Busta Rhymes’ Put Your Hands Where My Eyes Could See? Now imagine a man and woman singing operatically over that beat in Italian, with a gently plucked classical guitar and accordion filling the air. If you’ve seen Volkswagen’s 
Sadly, too many people only will recall “Don’t Worry, Be Happy” when they think Bobby McFerrin. Beyond novelties, McFerrin actually brought a lot of innovation to a capella and music, in general. The song below comes from his 1999 collaboration with cello master Yo-Yo Ma. In a simply divine arrangement, McFerrin’s voice and Ma’s cello weave lyrical lines together and apart, creating a sonic landscape that escapes categorization. I hear hints of Akira’s