Posts from 2004

DJ Z-Trip

Monday, November 29th, 2004 by Paul Irish

motown remixed // soul // funk

Imagine all the hottest tracks of Motown, all mashed up in a megamix of soulful body-movin’ music. DJ Z-Trip delivers exactly that in this 9-minute long non-stop funk-fest. He drops into it with some Jackson 5 loads you up with the finest grooves of The Temptations, and even forcefeeds you some hard-hitting Edwin Starr. DJ Z-Trip is widely regarded as one of the finest sampling and mashup professionals, alongside 2 Many DJ’s, Double D and Steinski, Coldcut, and The Avalances. Peep the excellent interview over at Downhill Battle, and also check out the great things they’re doing to protect our right to listen to music.

The very best of Motown’s finest groove-filled gems.

DJ Z-Trip – Motown Breakdown

N’Dambi

Sunday, November 28th, 2004 by Paul Irish

neo-soul // contemporary r&b

N’Dambi got started as vocalist with the big afro, backing up the soul siren Erykah Badu. Her solo albums sound like what you’d expect from Sunshine Anderson, India.Arie, The Princesses Nubiens, or Erykah — laid back grooves with an upright bass, a scatting vocal line, and a head-nodding chorus. “Call Me” snuck itself in my head after listening to my man Maze’s radioshow. It’s a standard song structure, but it’s got definite head-nod appeal. Her gentle voice injects subtle but solid emotion that gets right down to the soul of it.

It’s a red-light drizzly night outside, but you’re in where the vibe is swingin’.

N’Dambi – Call Me

Sigur Rós

Sunday, November 21st, 2004 by Paul Irish

space rock // ambient post-rock

We all have our favorite untitled track from Sigur Rós’s epic 2002 record ( ). We have no idea what those words are, but they’re so entirely soothing; the emotion wrought out by that voice matches the soft, glowing and powerful ethereal sounds of the band. “Ba Ba” was part of an experiment called Split Sides; a collaboration between Sigur Ros, Radiohead, and the Merce Cunningham Dance Company to explore the interaction between avant-garde music and dance. The music and art that emerged is something I’d call breathtaking.

Lay down with this music. It’ll carry you on fingertips of contentment into a restful sleep.

Sigur Rós – Ba Ba

Paul Desmond

Saturday, November 20th, 2004 by Paul Irish

1960′s jazz // saxophone

You’ve undoubtably heard the classic song “Take Five” performed by the Dave Brubeck Quartet. Though Brubeck’s name gets the glory, it’s musical genius Paul Desmond that crafted the exquisite tune. Desmond wrote the delicious “Take Ten” in the same 5/4 (or 10/8) meter, hence the curious song titles. It features his refined and poignant alto saxophone again, along with the guitar stylings of Jim Hall and the lush bassline of Eugene Wright.
Let Desmond’s delicate phrasing and butterfly tone enliven your desire for love.

Paul Desmond – Take Ten

Xploding Plastix

Monday, November 15th, 2004 by Paul Irish

orchestral jazz // spy music // idm

Layers upon layers of sound that whooshing by you in a sonic fury. Norway’s Xploding Plastix erupted in their country’s impressive music scene with their debut, Amateur Girlfriends Go Proskirt Agents and earned themselves a Grammy for best electronica record. Their music is like James Bond lounge-jazz meets Amon Tobin; Henry Mancini vs. Squarepusher. Their blow-you-away website has all their music available, in high fidelity audio.
A triplage of gorgeous music, today, for you to indulge in.

Xploding Plastix – More Powah To You
Xploding Plastix – Treat Me Mean, I Need the Reputation
Xploding Plastix – Rattlechaser

Xploding Plastix’s website (with full songs)