avant-pop // glam folk-pop
By the end of 2010, it’s safe to say that British female-fronted pop projects strongly dominated the year’s musical landscape. Florence Welch’s charming extravagance, Natasha Khan’s (Bat for Lashes) dark-ish melodies and Marina Diamandis’ sparkling pop debut received critical acclaim on both sides of the pond. Fallulah, a.k.a. Copenhagen-based Maria Apetri, certainly reflects the current musical tendencies. While her debut album The Black Cat Neighbourhood (2010) offers quirky melodies and somewhat dark, richly layered soundscapes comparable to the British diva invasion, she adds a rather unique touch of Balkan folk to her sound. The Black Cat Neighbourhood displays Fallulah’s strong songwriting skills, rich instrumentation that includes everything from folky strings, ukulele and glockenspiel to irresistible whistling and hand-claps along her expressive, distinct vocals.