Laleh’s album, Me and Simon (2009), shines with pure pop energy and good fun. There are no experimental edges for avant pop lovers, yet there are enough memorable melodies and clever hooks to keep your attention. Iranian-Swedish artist Laleh crafts vibrant pop songs, sweet lullabies and ballads, sung mostly in English with the occasional French and Persian (not to be confused with Arabic) ear candy. Laleh’s stand-out track and my personal favourite is “Simon Says”. With its lovely arrangements, subtle multi-layered vocals and playful lyrics, this one you will carry and hum for the rest of the day.
If you can judge a group by its influences, try these out: Django Reinhardt, Vitalic, Cab Calloway, Justice, Lionel Hampton, Daft Punk, Billie Holiday. The Paris-based group has been touring since they broke out at the Django Reinhardt Jazz Festival in 2007. They deliver an old gypsy swing, but through a very accessible and fresh dance music production. I hadn’t heard of them until they stole my ears at the Dour Festival in Belgium this summer.
As the days become shorter and the nights get colder, I find myself immersed in smooth tasty retro swing and vocal jazz. Robin McKelle’sModern Antique (2008) provides with that tasty kind of vibe that sounds so good while sipping warm apple cider. Indeed, Robin’s repertoire is “antique” — mostly songs from the 40’s to early 60’s, yet her approach is fresh. Her retro-big-band-swing interpretation of Steve Miller’s pop hit “Abracadabra” is an absolute gem. It’s so charming, inventive and sweetly flirtatious you wouldn’t recognize the original in it. Another favourite, “Go To Hell” (Nina Simone’s tune) features refined and stylish arrangements with Robin’s emotive and powerful phrasing.
Overtures creep towards you bearing ominous insight. A ravenous beast of symphonic scale lurks behind every measure; its teeth a menacing discord that devour your surroundings presence. Henryk Górecki could be leading The Cinematic Orchestra through such a place, yet the scourge of blaring horns and thunderous storms resemble unknown regions. This elegant, brooding ardor bleeds from The Netherlands as The Kilimanjaro Darkjazz Ensemble; a project originating with Jason Köhnen and Gideon Kiers to recreate scores for classic movies like Nosferatu and Metropolis. Angelic offerings scarcely appear to cradle your stay, but whirlwind strings and industrial plight will have their say. Aching with beauty and purpose, Here Be Dragons is a story I do not want to unhold. A modern-day masterpiece.
During my year spent in Tel Aviv I’ve learnt about many indie artists and been to a countless number of local gigs. Many of these discoveries I have already shared with you, avid readers, yet there is one act both Paul and I have been wanting to introduce to a wider audience of music lovers. Tel Aviv-based Boom Pam sounds unmistakably Mediterranean. There are Greek influences (think energetic Greek wedding music), Oriental motifs (traditional Middle Eastern melodies) and Balkan rhythms (passionate and vibrant) in their music. You can easily say as well it’s a Tel Avivian vibe, multicultural, stylish and laid back at the same time. “Wedding song” an up-tempo track from their almost entirely instrumental self-titled record features tuba and surf guitars and gives you a good idea of what Boom Pam sounds like. Boom Pam’s interpretation of Dick Dale’s “The Wedge”, Puerto Rican Nights (2008), is a mixture of Mediterranean heat and an American western movie.
Singer-songwriter Lovísa Elísabet Sigrúnardóttir, a.k.a. Lay Low, has been named as one of the most promising new artists back in her home country Iceland. On her album Farewell Good Night’s Sleep (2009) Lay Low captures the essence of blues, country and folk, concocting them all into music that feels like a perfect soundtrack for a cross country road trip. One of the album’s highlights, “Last Time Around”, unfolds sweetly with her soft crooning, melancholic bluesy sound and a hint of Iceland and Nashville in it.
Fredrik Karlsson, a.k.a. Solander, a part of Aurgasm-featured Fredrik, has his own solo project and it’s the one project you were all waiting to hear about, without even knowing it. Similar to Fredrik’s compositions, Solander’s debut Since We Are Pigeons (2009) carries a distinct Scandinavian, unique yet familiar sound. The album infuses hushed vocals, fragile strings arrangements and warm electronics with just a hint of experimentalia. In “Looking For Gold” Solander slowly builds up the mood by layering off-beat guitar with beautiful orchestration and hypnotic vocal harmonies. Definitely one of the most promising indie projects coming from Sweden this year.
Adam Scrimshire’s music fascinates me with a quality that I can best describe as being patient with the listener. As if built from maps referencing harmony’s emotions, this introspective and worldly odyssey flourishes with sublime enrapture and plush vitality. It’s spacious and grand, uplifting and cinematic, yet personally affective to the tune of something nestled deep inside. Along came the Devil one night… transpires awe, friendly accord and console; a beautiful achievement by a gracious music lover and maker.
More and more, I’ve noticed I’m absorbing great music via video; the Carl Sagan ‘A Glorious Dawn’ video is an addictive example. VJ’s are demanded for parties, Processing and OpenFrameworks are making it easier to create, and now video appears to be the preferred medium for delivering audio online. Above, Ethan deftly blends oscilloscope visuals with light paint and timelapse, while underneath burbles some glitchy and fuzzy funk. Thanks to my friends at Echonest for the tip.
Aurgasm seeks to bring you an eclectic menagerie of aural pleasures. We scout out music you've never heard and deliver only the finest. Expect music curiously different, yet simply enjoyable...
You can download all the music on aurgasm – right-click the song names and select Save Target As. These files will be removed at some indefinite point.
All files on aurgasm are online with permission of the copyright holder.
This music is here for evaluation purposes ONLY.
That's what I want you to do: eval-u-ate: try on this music for size, see if it fits you. If you enjoy it, learn more. Explore the artist, delve into the genre.
Take an active approach in finding music you love. Only you can find what you love. Immerse yourself in it. Buy the CD. Go to the show and meet your favorite artist afterwards. Tell them their music changed you. Support the artists whose work you adore.
Be passionate about music.
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