Aurgasm

Rock & Roll // Beats

If the ’50s had sampling, New Zealand export Willy Moon would be a flashback. But at the age of 23, his brash mix of rock & roll’s early days and contemporary sampling turns the clock forward to a bold new charm. Before settling into his new home of London, UK, this autodidact ditched school at 16 and shaped his raw sounds with sojourns in Valencia, Morocco, and Berlin; evolving from hip-hop and club into sonic sledgehammers having sole-blistering effect. Willy’s supercharged collage of well-known samples, combined with his unique retro vocals, makes a fiercely catchy package, and his visual style looks equally well mastered in a slick ‘Rat Pack’ refined naughtiness.

Smokin’ hot throwback beat explosions.Willy Moon – I Wanna Be Your Man
Willy Moon – Railroad Track
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electronic // post r&b

Designs similar to Atupele’s Pictures on Silence have intrigued me, but there is a quality in this 20 y/o’s Michigan Malawi purpose that lava lamps me to a greater plane – Liquidating my conscious inside an orb of electronic bass and faint promiscuous echo. Slow down Koreless to a hibernating burrow then resurrect in soulful bounty.

Heavy beat patterns your mind spotless.
Atu – Let Me
Atu – The Duo ft Sango
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electronica // glitch

Mitchell Nordine describes his Mind Tree outlet as “expressing the blissfulness of child-like naivety and nature, mixed with the beautiful and raw emotion connected to nostalgia. A journey of new perspective that subtly yet strongly guides thought and emotion.” Set sail on a glitchy, spacey, cinematic Melbourne sea.

Endless possibilities.
Mind Tree – Mother Nature
Mind Tree – Glóa Stafur
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danish pop // vocal electronica

Following the recent international success of Oh Land and Fallulah, it’s safe to say that Danish songstresses take the current electronic-infused pop tendencies beyond the too common synths-plus-strings clichè. Copenhagen-based Hannah Schneider’s sophomore album Me Vs. I (2012) combines classic singer-songwriter tradition, perfect pop sensibility and Nordic electronic soundscapes. In the standout track “Me Vs. I”, featured below, Hannah’s mesmerizing vocals are emphasized by endless layers of electronic sounds and sample-collages.

Mesmerizing Nordic soundscapes.

Hannah Schneider – Me Vs. I

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electronic // downtempo

Supple beats marry shimmering coral chords in seaside bliss amid warming, caressing petals of sky to rendezvous your senses and massage on contact. Transposed emotions from Melbourne form piano flute cloudscapes, dazzling luminous sunsets, and curious blips washed in reverb flowing uptempo or downbeat. Jack Vanzet’s Voyages blossom into euphoric rewards for your ears, and his Unfinished Business is a 19-minute dopamine symphony of calming awe.

Dreamy audio estuary.
Thrupence – Synchronous Bloom
Thrupence – Folds
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