The Bamboos are probably the finest funk band of the era. Sometimes infused with serious female vocal talent like Alice Russell, but often rocking a solid instrumental groove that needs no adornment, they got you covered; whether you’re a dancer or a head-nodder. Australian-based but signed to the UK’s Tru-Thoughts: their new single is firey hot. True story: this track has had my mom dancing daily since she heard it! Feel this.
Is to give your heart or have it taken all of life? Nothing else seems relevant in Nicole Simone’s music, and that’s something I can relate to. She loves me, she loves me not - a field of daisies ravaged by uncertainty. Her sultry persuasion can caress or carve out a heart with paralyzing euphoria and inflict stoic men with boyish war. A silky smooth trumpet coats one’s will, the gentle bass thump removes your armor, as marxophone, guitar and piano fastens temptation. Dark, moody, passionate desire, eerie and erotic - provocative songs that linger like an eternal flame, reducing your soul to brimstone ash.
The Living Sisters might be releasing their debut album Love To Live, next month, but they certainly aren’t new to the scene. LA-based singer-songwriters Inara George (The Bird And The Bee), Becky Stark (Lavender Diamond) and Eleni Mandell have been performing for years with their own respective projects. Mandell first proposed the idea of a harmony group to Stark in 2005, and George jumped on board the following year. Since then, the trio has been working on The Living Sisters in rare stolen moments when all three were available, and the result is well worth the wait. Love To Live is a gorgeous collection of songs with nods to classic country harmony groups and a healthy splash of gospel, soul and folk for good measure. Throughout the album their crystalline voices take the spotlight; the trio’s heartfelt and pure harmonies give an intimacy to each song, and the end result is lovely and effortless. Take a listen to “Double Knots,” a sweet doo wop-inspired track, to tide yourself over until Love To Live becomes available in March.
Sydney Wayser possesses an ear for melody and talent for songwriting that results in a collection of intimate and playful tunes. The half-French, half-American songwriter grew up in Los Angeles with frequent trips to Paris (and is now based in New York). This worldly charm is heard throughout her music, whether it’s the Southern-inspired “Banjo Bayou” or the dreamy allure of “Bells”. Though the majority of her sophomore album, The Colorful, was recorded on children’s toys and piano, there is nothing childish about it. Wayser’s alluring vocals and her unique instrumentals combine to rapturous effect. The Colorful wanders between light-hearted fun and poignant melody with ease.
Israeli-born New York-based Rosi Golan’s debut album The Drifter & The Gypsy (2008) is 11 vibrant and neatly-crafted folk songs. Mostly accompanied by acoustic guitars as well as drums, bass, piano, banjo and mandolin, the album sways between folky tunes and mellow ballads. “Follow The Arrow” (not featured on the album) is probably the most uplifting, up-tempo and contagiously melodic track from Rosi’s repertoire. Another highlight (taken from the album this time) is the clever folk-driven “I Don’t Wanna Wait”, delivering catchy chorus with such a charming simplicity. The Drifter & The Gypsy will appeal to these who enjoy the tiny bit whimsical sounds of such artists as Ingrid Michaelson as well as the lovely songwriting of Lucy Schwartz.
Time leaves me belonging’s disgrace. The drifting mountains, sifting hills, forests enclave, gravel pounds. Walking til’ my feat falls flat, I rest under trees why leaves camouflage me. Already west when my quest is back home.. in a faint, beckoning assuage. Reminiscent of Ma who always cared too much, with her love undying now a comforting memory, as footsteps in my soul on a path to soar. Black-eyed Susans and their friends breaking earth around me. Do they sing when they see the sun? A shout, a gasp, or a sigh for eternity? What do they believe? The strum of petals forgiving sin; steady growth like beard and wind; bark that bites, angels who romp, and heartbeat knock, tick-tock, of a flock. Do they or the birds above see me? Window’s fog is revealing fingerprinted faces, and a Portland, Maine man, David Lamb, has Rhode Islands across lakes of succumbing fate to find The Devil Dancing.
Some of you might be familiar with Marit Larsen as a former member of Norwegian teenage duo M2M, known for their hit “Don’t Say You Love Me” (1999). Following the duo’s break up Marit has shifted from the sugary sweet pop to a subtler and more mature kind of songwriting. Her second solo effort, The Chase (2008), is all about the rich yet unpretentious arrangements and memorable melodies. Featured below, “Steal My Heart” is one of Marit’s slow paced numbers and a great example of her orchestral pop crafting. The song evolves around the gorgeous strings and overall delicate instrumentation that carries Marit’s soft vocals.
After hearing Canadian songwriter Meaghan Smith’s sweet and carefree songs it shouldn’t come as a surprise that she grew up in a house of music, with her piano-teacher mother, bassist father and three talented sisters. Her affinity for the sounds of the ‘20s, ‘30s and ‘40s features heavily in her music as well. While the jazz-influenced indie folk of Meaghan Smith embraces instrumentation from older eras, the Canadian songwriter gives it her own contemporary twist (Meaghan herself dubs it “modern vintage”). Regardless of what you’d like to call it, her unique take on the holiday classic, “Silver Bells” and her original winter song, “It Snowed” is just what you need to get you in the holiday mood!
The repertoire of Swedish singer-songwriter Fredrika Stahl consists of elegant jazz compositions and dreamy vocal textures. “Monumental Mismatch”, the opening track of Tributaries (2008), possesses this certain element of playfulness and simplicity that works so well with Fredrika’s flirtatious jazz approach. Accompanied by accordion and delicate piano arrangements, lyrical “Pourquoi Pas Moi” is a true homage to French chanson, while her yearning vocals bring to mind the critically acclaimed Lisa Ekdahl.
It seems easy to assume that two prized string players, recognized as some of the finest young French musicians would be influenced by the Parisian electro scene, like Ed Banger and Institubes. They would, naturally, then set out to create electro infused with the graceful cello and viola lines. At first listen, this is what you might hear. But SomethingALaMode (or SALM) has pushed that further; the result is less novelty, more solid songwriting. A few samples from their varied and impressive debut: “Little Bit of Feel Good” delivers some mighty soul vocals; “GString” is a bit more familiar electro-fare, but with a very distinctive feel.
Aurgasm seeks to bring you an eclectic menagerie of aural pleasures. We scout out music you've never heard and deliver only the finest. Expect music curiously different, yet simply enjoyable...
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